fear good – deutschlandpremiere

wake up

Armed with buckets full of animal innards, a group of activists plans to secretly demolish a huge department store. But they didn’t think of the night guard … After their genre comedies TURBO KID and WE ARE ZOMBIES, the directing trio RKSS switch to hard slasher – and with a lot of verve! It does for sure not spare anyone and entertains with creative killing methods and thrills right up to the consequent finale.

fresh blood – deutschlandpremiere

things will be different

Michael Felker has already made a name for himself as the long-time editor of the brainfuck films by indie icons Justin Benson and Aaron Moorhead. Now, with THINGS WILL BE DIFFERENT, he delivers a directorial debut whose mysteriousness is entirely in line with his original employers. A wild, fascinatingly visionary sci-fi trip that shoots straight into the brain – and bites right into it.

fresh blood

the substance

Why are the French female filmmakers of today so passionately devoted to radical body horror? Coralie Fargeat's new film after REVENGE knows no taboos. That is thrilling! Fargeat gradually leads us closer to the abyss of absurdity, and to a constantly more extreme monstrosity. Demi Moore is brillant in this exceptional role of a faded star who finds a substance with which she can overcome her age.

fear good – deutschlandpremiere – in zusammenarbeit mit

skunk

In 2007 EX DRUMMER traumatised us – so much that the audience celebrated the fucked-up assi-punk hunk with the FRESH BLOOD AWARD! Belgian director Koen Mortier comes back with SKUNK and dives again deep into the human abyss – and never sees the surface again. Thibaud Dooms' acting per- formance as an outsider and redemption seeker Liam is deeply disturbing. For sure, SKUNK will get you.

fresh blood – deutschlandpremiere

strange darling

A young woman staggers out of the neighbouring forest and runs for her life. Behind her is a man with a rifle. STRANGE DARLING by JT Mollner is a homage to the grindhouse films of the 1970s. It redefines the cinema of cool with playful ease and mercilessly thrashes its audience through a painful parkour of suffering. Willa Fitzgerald and Kyle Gallner surprise the audience in an uncompromising feat of acting.

german premiere

project silence

Dense fog sets on Seoul's gigantic Incheon Bridge and causes a pile-up and explosion. The survivors have to get off the bridge quickly, danger lures from all sides, especially inside a military van …. A spectacular disaster scenario meets creature spectacle as an increasingly desperate fight for survival rages 70 metres above the sea. In one of the main roles stars recently deceased PARASITE actor Lee Sun-kyun.

fear good – deutschlandpremiere

plastic guns

The crème de la crème of criminology is looking for murderer Paul Bernardin. A breathless chase through Europe begins. After BLOODY ORANGES, director Jean-Christophe Meurisse continues to explore the boundaries of taste and genre with relish in PLASTIC GUNS. The subversive satire turns everything upside down. A marvellously mean caricature of the serial killer thriller – or as they say in France: a homage.

german premiere

the well

Everything gets out of hand when restorer Lisa saves a mysterious painting from the 15th century. Federico Zampaglione sends TERRIFIER 2 amazon Lauren LaVera into a splatter frenzy that's a real treat – and us into a nostalgic, bloody homage to the Italian horror wave of the 1970s/1980s. The setting, the soundtrack, and the extreme special effects recall immortal classics such as PROFONDO ROSSO or MACABRO.

fear good – deutschlandpremiere

sayara

With BASKIN Can Evrenol catapulted Turkey in 2015 onto the horror film map. With this mercilessly intense thriller, he aims to another level of brutality. Fists smash bodies, blades split skulls and brain matter drips from combat boots. As Sayara's father would put it: "Warriors like you and me only remember our first execution. Everything after that is darkness." It gets very dark.

fresh blood

humanist vampire seeking consenting suicidal person

French-Canadian director Ariane Louis-Seize finds her own charm for the nocturnal quarrels of bloodthirsty immortals in the tradition of cult films such as LET THE RIGHT ONE IN. Her feature film debut celebrates the fragile first love and coming into being of young vampire Sasha. If she wants to survive, she has to stop to have mercy with her potential preys. This does not mean that this enchanting horror comedy is not bloody.